Trinidad Orisha

Trinidad Orisha, also known as Shango, is a syncretic religion in Trinidad and Tobago and the Caribbean, originally from West Africa (Yoruba religion). Trinidad Orisha incorporates elements of Spiritual Baptism, and the closeness between Orisha and Spiritual Baptism has led to use of the term "Shango Baptist" to refer to members of either or both religions. Anthropologist James Houk described Trinidad Orisha as an " Afro-American religious complex", incorporating elements mainly of traditional African religion and Yoruba and incorporates some elements of Christianity (Catholicism and Protestantism), Hinduism, Islam (especially Sufism), Buddhism, Judaism (especially Kabbalah), Baháʼí, and Amerindian mythologies.

"The religious practice involves a music-centered worship service, in which collective singing and drumming accompany spirit possession and animal sacrifice (typically goats, sheep, and fowl)."

History

Trinidad Orisha's beginnings and development in the Caribbean "can be traced back to the late eighteenth and early nineteenth centuries when Africans were brought to the island to work on the colonial sugar plantations."

Over time, as local religions were suppressed under colonial rule, Orisha practitioners disguised places of worship using Christian paraphernalia, which eventually began to be used in some ceremonies. Some Catholic elements were adopted, and as globalization continued and cross-cultural engagement intensified, the religion adopted increasingly diverse practices and beliefs from around the world, entangling into the syncretic religion it is today.

Ritual music

Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums. Orisha drums are double-headed bi-tensorial cylinders derived from Yoruba ''bembe'' drums (similar to the Cuban ''Iyesá'' drums). The drum that is lowest in pitch is called the ''bo'' or ''congo''. The lead drum is called "center drum," "big drum," or ''bembe''. The smallest drum, highest in pitch, is called ''umele''. The first two drums are played with a single stick plus hand combination, while the ''umele'' is played with a pair of sticks. All of the sticks are curved at the end, and resemble a shepherd's staff or crook. The language of the songs has been referred to as "Trinidad Yoruba" and is derived from the Yoruba language.

Beliefs

The one supreme god in Trinidad Orisha is Oludumare, the Yoruba supreme being who created the aye, the world of the living, visible to us, and the orun, the invisible spiritual world of the gods, spirits, and ancestors.

Orisha spirits, also referred to as gods, are the messengers of Oludumare, communicating through possession during spiritual rituals such as the feast. Yoruba categorizes the orisha into several categories:

* “Cool,” temperate, calm gods
* “Hot,” temperamental gods
* The spirits of great ancestors, humans who became gods
* Spirits connected with nature, such as rivers, mountains, the earth, and trees

While not Christian, many Orisha spirits are equated with Christian saints. Orishas include:

* Shango, the Yoruba god of fire, thunder, and lightning;
* Ọya, mistress of speed and tempestuous wind, also the wife of Shango, paired with the Christian St. Catherine;
* Oshun, goddess of water and beauty, with St. Philomena;
* Osaín, Yoruba god of herbal medicine, healing and prophecy, with St. Francis;
* Shakpana, also a healer particularly of children's illnesses, with St. Jerome;
* Ogun, the warrior god of iron and steel, with St. Michael

Events and Practices

The main Orisha event is the feast. Lasting for two to four days during the season of sacrifice and thanksgiving, the large ceremonial gatherings, often involving up to 100 people, are characterized by spirit possession, animal sacrifice, and nearly constant drumming and singing. The ceremony happens throughout the night, ending with a communal meal each morning around dawn. The ritual concludes on Saturday night, and an outdoor pilgrimage usually follows the feast on Sunday.Bazinet, 2013, p. 17.

Flag planting is also an important element of the religion. Shrines and houses usually display long poles with colored fabric on the ends, with different colors representing different orishas. A red flag, for example, represents Ogun, while red and white represents Shango. "It is reminiscent of a ritual sequence described in the Holy Odu OfunAjitena, which calls for the ritual raising of different colored flags at specific times of the year in order to be blessed by Olodumare." Common flags displayed are for Shango and Orun.

Gender Roles

Women in Orisha-Baptist events are required to follow a strict dress code including floor length skirts, long sleeve blouses, and wrapping their hair in head scarves. Men are not held to such standards, though ''mongwas'' (Orisha priests) and ''chantwells'' (Lead singers in Orisha song performances) typically wear flowing robes in the Spiritual Baptist or Nigerian fashion. Drummers – mostly men – "dress as they choose, typically in jeans and t-shirts, some even wearing baseball caps as they play." While not completely taboo for women to be ceremonial drummers, it is rare and generally frowned upon due to social convention. It is also agreed that women should not enter a shrine or touch a drum during her menstrual period, and in many places should cover their head before entering a shrine.Bazinet, 2013, p. 22-23.

References

Afro-Caribbean religion
Afro–Trinidadian and Tobagonian culture
Christianity and religious syncretism
Religion in Trinidad and Tobago

{{Religion in Trinidad and Tobago